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Shoot High-Res, 8-Second Handheld Exposure With the Panasonic S5 II and S5 IIX

Posted byby admingfx
2 years ago
2 min

Panasonic has unveiled significant enhancements on the horizon for their S5 II and S5 IIX cameras through upcoming firmware updates.

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- Blogs

Go Microscopic With the New Laowa’s New Supermicro APO Lenses

Posted byby admingfx
2 years ago
3 min

Let’s examine the microscopic cinematic capabilities of the recently released Laowa Aurogon FF 10-50X NA0.5 Supermicro APO lenses.

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- Blogs

The Sony ECM-W3 Finally Embraces Audio for Content Creators

Posted byby admingfx
2 years ago
2 min

Building upon the achievements of DJI, Hollyland, and SmallRig, Sony adopts an innovative audio form factor.

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- Blogs

How ‘The Creator’ Could Change How Hollywood Makes Movies Forever

Posted byby admingfx
2 years ago
3 min

A critical examination of Gareth Edwards’ latest science fiction adventure and its potential to revolutionize the financing and production methods in Hollywood was showcased during its world premiere at Alamo Drafthouse’s Fantastic Fest in Austin, Texas. Despite having already been screened twice prior to this event, anticipation for Edwards’ follow-up to his acclaimed Star Wars film, Rogue One, which was released nearly seven years ago, remained remarkably high.

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Discover the Details Behind the WGA Deal Which Includes AI Protections, TV Room Size Mandates, and Much More

Posted byby admingfx
2 years ago
2 min

This represents an exceptional opportunity with significant historical profits.

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Shoot 4K 100p With the New Super Lightweight DJI Mini 4 Pro

Posted byby admingfx
2 years ago
3 min

The basic DJI drone receives an upgrade that elevates it to a “Pro” level, boasting improved specifications and enhanced flight capabilities. Continuing a trend observed across various camera sectors in…

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- Adobe After Effects
- Openers

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Posted byby admingfx
2 years ago
1 min

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The Secrets to a Happy Set (Plus Strike Updates!)

Posted byby admingfx
2 years ago
1 min

What valuable insights can be gleaned from the ongoing WGA strike? Is it feasible for writers to negotiate agreements directly with specific studios rather than going through the AMPTP? How can you effectively boost morale and establish the daily atmosphere on a film or television set?

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