Is it possible to experience increased freedom in situations with greater constraints?
How To Write a Screenplay in Ten Days and Shoot a Movie in Less
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Is it possible to experience increased freedom in situations with greater constraints?
Creating a micro-budget film within a tight timeframe can seem like an insurmountable challenge. But what if we told you that these constraints can actually simplify the filmmaking process? In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman engage in a conversation with filmmakers Matt Hirschhorn and Eric Cohen, who employed No Film School’s “How to Write a Screenplay in 10 Weeks” to craft their movie, Wine Club.
During our discussion, we covered:
- The inception of Wine Club and how Matt and Eric deconstructed the film’s concept.
- The liberating aspect of working within the confines and guidelines of a micro-budget production.
- Maintaining composure when confronted with a literal storm while shooting in rainy California.
- Cultivating a “no assholes” policy on set during filming.
- Entrusting the entire film editing process to the Second AC, who had no prior editing experience.
- Contemplating self-distribution as a distribution strategy.
- A unique approach for achieving rapid shooting.
- The uncertainty of how the cast would mesh before commencing filming.
- Experiences of attending film school in North America as an immigrant.
In today’s episode, we explore how constraints can paradoxically enhance the filmmaking experience.
Wine Club | Official Red Band Trailer – HD
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