Shoot Full-Frame 8.6K With Sony’s Compact CineAlta BURANO Camera

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Examining Sony’s latest addition to their CineAlta family of digital cinema cameras, it appears to be their most impressive offering to date.

For those who have been keeping an eye on the digital video camera market over the past year or so, two prominent trends have emerged: a race towards 8K video capability and a strong emphasis on mobile filmmaking.

Sony, attuned to these industry dynamics, has strategically introduced a camera that effectively addresses both of these trends.

Introducing the new Sony BURANO, the latest addition to the CineAlta digital cinema camera lineup from Sony. This camera is squarely dedicated to delivering exceptional cinematic imagery while ensuring exceptional mobility for single camera operators and small production crews.

With a sensor that matches the Sony VENICE 2 and incorporating cutting-edge features, let’s delve into how this cinema camera, which combines power and mobility, may well be the most impressive addition to Sony’s CineAlta series yet.Introducing the Sony BURANO CineAlta

Introducing the Sony BURANO CineAlta

As previously mentioned, the impressive aspect of the new Sony BURANO is its clear focus on enabling solo operators or small film crews to work effectively. It has been purposefully designed to offer a compact, versatile, and adaptable alternative to Sony’s highly popular VENICE 2.

“The BURANO opens up new creative possibilities for filmmakers, making it an ideal choice for various types of projects, including scripted and unscripted ones like commercials, wildlife documentaries, or more. This camera complements our range of digital cinema cameras perfectly,” said Theresa Alesso, President of Imaging Products and Solutions Americas at Sony Electronics.

However, despite its indie-friendly design philosophy, the BURANO packs a punch as a high-powered camera, boasting an 8.6K full-frame sensor and an array of sophisticated features tailored for cinematographers. These include advanced in-body image stabilization, Fast Hybrid Auto-Focus, and support for PL-to-E-mount lenses.

A Smaller, Lighter and More Versatile Sony VENICE 2

Enumerating all the mainstream movies and television shows that have employed the Sony VENICE 2 would be an exhaustive task. However, it’s crucial to emphasize that the BURANO, equipped with a sensor comparable to that of the VENICE 2, represents a significant development.

The BURANO’s full-frame sensor is indeed on par with the VENICE 2 sensor, making it a compelling choice as either a lighter substitute or an almost equal B-camera for handheld shots or action sequences.

With its 8.6K full-frame sensor boasting dual base ISO settings of 800 and 3200, plus an impressive 16 stops of dynamic range, the BURANO excels at capturing stunning images even in the most challenging lighting conditions. Furthermore, it shares the same renowned color science as the VENICE series and has undergone rigorous testing and refinement by top cinematographers to ensure seamless compatibility.

Another noteworthy feature of the BURANO is its status as Sony’s first digital cinema camera to offer an interchangeable E-mount to PL mount lens, enhancing its versatility. The camera also incorporates numerous valuable features, including a variable ND filter, cache recording options, and a diverse range of capture modes. All of this is packaged within an updated body design that supports various recording formats, including the new XAVC H for 8K, which utilizes the highly efficient MPEG-H HEVC/H.265 codec.

Price and Availability

In summary, the introduction of the Sony BURANO is an exciting development for indie filmmakers, offering them an additional choice to consider when gearing up for their documentary or small crew productions.

While it doesn’t come with the same affordability as a mirrorless camera, with a price tag nearing $25,000, it presents a more cost-effective and versatile alternative compared to the VENICE 2.

Here are the complete specifications and a link for preordering the Sony BURANO, with initial shipments expected to commence in Spring 2024:

• Compact and Highly Mobile Design
• Full-Frame CMOS 8.6K Sensor
• Impressive 16 Stops of Dynamic Range
• In-Body Image Stabilization | E & PL Mount Compatibility
• Dual-Base ISO Range of 800/3200
• Electronically Variable 0.6-21ND Filter
• Phase Detection Autofocus | Face/Eye Tracking
• Support for Full-Frame & Super35 Sensor Modes
• Capability to Handle Multiple Frame Rates & Codecs
• Dual CFExpress Type B Card Slots

This camera promises to be a valuable addition to the toolkit of filmmakers looking for a blend of mobility and cinematic capability.

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